{"title":"Dia das Mães 2026","description":"","products":[{"product_id":"desvairada","title":"Deranged","description":"\u003cp\u003e In \"Desvairada\", Shirley Paes Leme explores the possibilities of subjectivity in her poems.\u003c\/p\u003e","brand":"Shirley Paes Leme","offers":[{"title":"Default Title","offer_id":50562548760865,"sku":"11447","price":9000.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4210\/7169\/files\/web_Shirley_Paes_Leme_Desvairada-foto_Felipe_Berndt.jpg?v=1743183572"},{"product_id":"trinca-trio","title":"Trinca Trio","description":"\u003cp\u003e The work is part of the 4th Collector's Edition, a collaboration between collectors Mara and Marcio Fainzliber and the artist.\u003c\/p\u003e\n\u003cp\u003e “This work goes back to the idea of ​​kinship between things in our nature, how deep down all things are very connected and depend on each other, they complement each other” says Barrão.\u003c\/p\u003e\n\u003cp\u003e In a poetic and playful reading, Barrão created a composition that refers to a flock of birds that would have integrated with each other and their natural habitat. \"These adaptations happen in nature very slowly, they are transformations that allow us to survive.\"\u003c\/p\u003e\n\u003cp\u003e The work talks about co-dependence and the deep connection between all living things.\u003c\/p\u003e \u003cp\u003eThe work was initially developed from a plaster mold and natural branches, and then cast in bronze, in Carbono's exclusive multiple. The sculpture is numbered and signed on its base.\u003c\/p\u003e","brand":"Barrão","offers":[{"title":"Default Title","offer_id":50562552889633,"sku":"12614","price":18000.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4210\/7169\/files\/Trinca_Trio_-_Carbono_Galeria-7609591.jpg?v=1739550546"},{"product_id":"loop","title":"Loop","description":"\u003cp\u003e \"Loop\" is a multiple developed from an intense and long research where ceramics are seen in an unprecedented way in Ana Holck's sculptures. Stainless steel and porcelain are used as elements that complement and give continuity to each other, expanding their fields throughout the space.\u003c\/p\u003e\n\n \u003cp\u003eIn this new series, we have the white mass, porcelain, which is also the most plastic clay. This material, unlike other prefabricated materials previously used by the artist (such as concrete blocks), was not industrialized. The porcelain is \"passed\" through the extruder, from where it comes out in tubes of pre-established and regular sizes, which are then manipulated.\u003c\/p\u003e\n\n\u003cp\u003e By lowering the extruder lever, mechanically and repeatedly, using impersonal force, without the touch of hands, the porcelain mass turns into a tube, a hollow and hollow mass. Cut at any point, these tubes can be fitted, assembled, overlapped, creating designs. Previously fragile, the porcelain is now tested by the force of the stainless steel ribbon spring, which runs through and tensions the ceramic tube. A design then follows in space where a single metal ribbon runs through the tubes, soaring through space, in a kind of incessant and continuous loop.\u003c\/p\u003e","brand":"Ana Holck","offers":[{"title":"Default Title","offer_id":50562559017249,"sku":"13033","price":0.0,"currency_code":"BRL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4210\/7169\/files\/Loop_-_Carbono_Galeria-7609877.jpg?v=1739550769"},{"product_id":"funes","title":"Funes","description":"\u003cp\u003e For this new edition, Francisco resumes his research on utilities and their implications in objects such as cabinets, drawers and glass cabinets. This time, he seeks to emphasize a particular element within these objects: the drawer.\u003c\/p\u003e\n\n \u003cp\u003eIn his reflection on the drawer, Nuk finds references in the short stories of Jorge Luis Borges, especially in \"Funes, the Memorioso\". In this short story, Borges creates a character capable of remembering all the details of his life, a true storehouse of information. However, Funes is incapable of thinking, creating or planning, because his mind is overloaded with the past.\u003c\/p\u003e\n\n\u003cp\u003e The relationship between Francisco's work and the character occurs when the artist interprets the drawer as the main means of immortalizing a memory. For him, everything we keep in a drawer is important, because when we open it, these memories can be revived. However, for Nuk, memories are also important forms of creation. Unlike Funes, we can never remember all the details of the past, we only select parts that marked us. Thus, when we revisit a memory, we create new elements and new representations.\u003c\/p\u003e\n\n \u003cp\u003eFrancisco's work invites us to reflect on the act of keeping and forgetting, and how these two processes become catalysts for life.\u003c\/p\u003e","brand":"Francisco Nuk","offers":[{"title":"Default Title","offer_id":50562559574305,"sku":"13007","price":10000.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4210\/7169\/files\/Funes_-_Carbono_Galeria-7609901.jpg?v=1739550787"},{"product_id":"improvavel-azul","title":"Unlikely blue","description":"\u003cp data-start=\"83\" data-end=\"688\"\u003e “Improvável Azul” (Improbable Blue), by Elisa Stecca, proposes a visual reflection on balance as a sensitive and unstable construction. Two organic volumes contrast in color, texture, and apparent weight: the bright and reflective blue meets the dark, opaque, and porous, in a juxtaposition that defies structural logic. The contrast between brightness and opacity, natural and constructed, dense matter and empty form, activates a symbolic reading that moves between the human and the geological. Handmade, each piece presents unique variations, reinforcing the singularity of the work and its commitment to the improbable as a compositional gesture.\u003c\/p\u003e\n\n \u003cp data-start=\"690\" data-end=\"1183\"\u003eThe sculpture is part of the expanded research of Elisa Stecca, an artist whose trajectory spans contemporary art, jewelry, and design. Her work emphasizes the expanded concept of \"precious,\" articulating body, time, and matter through diverse media such as sculpture, installation, and performance. \"Improvável Azul\" condenses these interests by transforming formal relationships into tactile and poetic experiences, where the unstable becomes presence and balance, a state always under negotiation.\u003c\/p\u003e","brand":"Elisa Stecca","offers":[{"title":"Default Title","offer_id":51485538877729,"sku":"14270","price":12000.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4210\/7169\/files\/bx_ES_Improvavelazul-2025-fotoFilipeBerdnt_MG_1645copy.jpg?v=1752611210"},{"product_id":"corpo-fechado","title":"Body invulnerability","description":"\u003cp data-end=\"494\" data-start=\"110\"\u003eIn his frequent research into daily life and popular customs, the artist found in the figa a rich object, laden with interpretations. Present in both popular and religious contexts, the figa is an amulet full of culture and history. Whether as a symbol of protection, resistance, or good luck, it remains strongly present in the imagination and practices of popular culture.\u003c\/p\u003e\n\n\u003cp data-end=\"494\" data-start=\"110\"\u003e\u003c\/p\u003e\n\n\u003cp data-end=\"494\" data-start=\"110\"\u003e For this project, using the figa (a hand gesture used to make a gesture of good luck) as a support, the artist inserted into it the drawing of a female face with a golden crown, conveying the image of the mother, a divine protector. The female figure, already recurrent in the artist's repertoire as a representation of strength and spirituality, unites with the symbolic meaning of the figa as an amulet against negative energies, creating a new object, a symbol of resistance.\u003c\/p\u003e\n\n\u003cp data-end=\"494\" data-start=\"110\"\u003e\u003c\/p\u003e\n\n \u003cp data-end=\"494\" data-start=\"110\"\u003eAs the artist states: \"The figa, in its materiality, produced by the artisans of Juazeiro do Norte-CE, carries with it important essences of my work, such as the contrast between the rustic and the polished, origin and revision.\"\u003c\/p\u003e","brand":"Derlon","offers":[{"title":"Default Title","offer_id":51593886597409,"sku":"14510","price":9000.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4210\/7169\/files\/1_bx_Derlon-Corpofechado-2025-FilipeBerndt.jpg?v=1755614906"},{"product_id":"mata-branca","title":"White forest","description":"\u003cp\u003e \"In November 2024, I was in residence in Serra da Capivara, in Piauí.\"\u003c\/p\u003e\n\n\u003cp\u003e We were a group of eight women, guided by Tininha Llanos, and our intention was to explore the cave paintings in the park. The first cave where we saw the paintings was quite accessible; others required hikes uphill. With each climb, new views revealed a variety of landscapes with rocks and greenery, which made me feel like I was in prehistory.\u003c\/p\u003e\n\n\u003cp\u003e We also learned about the strength of the women who live there, many of whom are responsible for preserving the park. Dora taught us how to weave a basket from vines. Gi and Dagui showed us new embroidery stitches. Ceicinha sang songs from the backlands and told stories about Niéde Guidon.\u003c\/p\u003e\n\n \u003cp\u003eThose eight days felt like the beginning of a new life. I recorded everything in my travel journal, with writings and drawings.\u003c\/p\u003e\n\n\u003cp\u003e I came back and needed to keep all of that with me. I sent some designs along with fabrics and threads for Tininha to distribute within her circle of embroiderers.\u003c\/p\u003e\n\n\u003cp\u003e When I received them back, my drawings had become embroidery, and in my hands I held a piece of the Serra da Capivara.\u003c\/p\u003e\n\n\u003cp\u003e \"That's where the unprecedented edition for Carbono comes from.\"\u003c\/p\u003e\n\n\u003cp\u003e Mariana Tassinari\u003c\/p\u003e","brand":"Mariana Tassinari","offers":[{"title":"Default Title","offer_id":51594111648033,"sku":"14507","price":11000.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4210\/7169\/files\/1_bx_MT-Semtitulo-Corpo-2025-FilipeBerndt_MG_1477copy.jpg?v=1755107619"},{"product_id":"pitaya-ii","title":"Pitaya II","description":"\u003cp\u003eThe pitaya fruit lends its name to this edition of scarves in pink, magenta, and red, arranged in a grid pattern, like a chessboard. These images result from the reproduction and photomontage of real tiles, constructed by the artist from metallic and washed goatskin to create the installation \"Insane Facades\" in 2013. The experiments that followed the production of \"Insane Facades\" led the artist to transpose the obtained images onto other supports, such as pure silk, and to introduce a certain ambiguity regarding the textures of the leather, which, in this context, becomes animated by the corporeality of pure silk. Pure silk transforms into a new skin for the body; the gridded and rational pattern loses its prominence and announces that it is traversed by another organic life in its shallow and flat topography.\u003c\/p\u003e","brand":"Ana Maria Tavares","offers":[{"title":"Default Title","offer_id":52067137421601,"sku":null,"price":3000.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4210\/7169\/files\/1_064d190a-3e92-433f-ac02-a8a4c2944a3c.jpg?v=1764877431"},{"product_id":"mesinha-bosch","title":"Mesinha Bosch","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e“Mesinha Bosch” estabelece um diálogo indireto com “As Tentações de Santo Antão”, de Hieronymus Bosch. A criação parte de uma memória visual que reaparece durante o processo, especialmente na presença de mesas brancas que, embora pouco percebidas inicialmente, permanecem latentes e influenciam a composição.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA superfície de mármore sobre uma base de madeira é acompanhada por galhos e um botão de rosa banhados a ouro, articulando solidez e fragilidade. A combinação de materiais e temporalidades distintas tensiona permanência e efemeridade, revelando como imagens do passado reverberam e se transformam em novos trabalhos.\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Vinci","offers":[{"title":"Default Title","offer_id":52527906980129,"sku":"14816","price":35000.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4210\/7169\/files\/bx_LauraVinci_MesinhaBosch_2026__FilipeBerdnt__MG_8759-copy.jpg?v=1775069018"},{"product_id":"onda-do-mar","title":"Onda do Mar","description":"\u003cp\u003eA edição parte da observação do movimento das ondas como experiência contemplativa e contínua. Estruturada como uma ampulheta, o objeto gira e simula o fluxo do mar, transformando a passagem do tempo em um gesto visual cíclico.\u003cbr\u003e\u003cbr\u003eO escoamento da areia pelo vidro cria um ritmo desacelerado que contrasta com a velocidade dos dispositivos eletrônicos. Nesse sentido, a obra propõe um tempo expandido, oferecendo um espaço de atenção e suspensão que escapa à lógica imediata e contínua das imagens digitais.\u003c\/p\u003e","brand":"Marcia Xavier","offers":[{"title":"Default Title","offer_id":52527913500961,"sku":"14921","price":20000.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4210\/7169\/files\/bx_MarciaXavier_OndadoMar_2026__FilipeBerndt___MG_1150.jpg?v=1775069481"}],"url":"https:\/\/carbonogaleria.com.br\/en\/collections\/dia-das-maes-2026.oembed","provider":"Carbono Galeria","version":"1.0","type":"link"}