• Angelo Bucci, Sem título
  • Untitled
  • Angelo Bucci, Sem título
  • Angelo Bucci, Sem título
  • Angelo Bucci, Sem título

Angelo Bucci

“Untitled”

Untitled

(SKU. 1364)

  • Date

    2014
  • Technique

    stainless steel
  • Dimensions

    (H x W x D) 9 x 9 x 27 cm
  • Edition

    15

  • Comes with certificate of authenticity


Angelo Bucci's sculpture condenses several concepts that the architect has been reflecting on for some time. The first of these is the desire to make the interior closer to the exterior and at the same time to blur inside and outside. The intersecting volumes and the finishes that are sometimes external and sometimes internal express this search. Furthermore, the fact that the object is hung encourages us to look through its opening. It not only draws attention to the materials, finishes and the relationship between the human scale and its surroundings, but also to what it cuts out, what it frames.

Biography

Angelo Bucci - Carbono Galeria

Angelo Bucci

b. 1963, Orlândia (SP), Brazil | Lives and works in São Paulo (SP), Brazil.

Angelo Bucci holds a degree and a PhD from the School of Architecture and Urbanism – FAU/USP, where he is also a professor. The architect has designed award-winning projects in several places in Brazil and around the world. In 1992, he designed the Brazilian pavilion at Expo 92 in Seville, winning first prize. In 2000, he was nominated for the Mies Van der Rohe International Prize, followed by a nomination for the Ex Aequo Prize at the São Paulo International Architecture Biennial. Bucci is an honorary member of the AIA – American Institute of Architects.

A reference for his generation, Bucci began his career as an associate architect at MMBB and is now the director of the spbr office, which has had several award-winning projects. The architect is influenced by the modernist architecture of Oscar Niemeyer and the Brutalist architecture of São Paulo, a movement of the 1960s, in which Lina Bo Bardi stood out. Bucci's designs often use elements characteristic of these architectural movements, such as reinforced concrete, glass panels and simple lines.

Regarding being an architect, Bucci believes in the importance of considering the various dimensions present in architectural work: “That is why it seems reasonable to me that someone who dedicates themselves to doing architectural projects today should be compelled to consider these two “dimensions”. One that organizes the stone walls on the ground and another that wants to leave this planet.”