• Gisele Camargo, série
  • Gisele Camargo, série
  • Gisele Camargo, série
  • Gisele Camargo, série
  • Gisele Camargo, série
  • Gisele Camargo, série
  • Gisele Camargo, série

Gisele Camargo

“"Board" series”

"Board" series

(SKU. 10442)

  • Date

    2021
  • Technique

    acrylic on wood
  • Dimensions

    (H x W x D) 25 x 25 x 2.5 cm or 50 x 25 x 2.5 cm

  • Comes with certificate of authenticity


“Tabuleiro” is an experience of the world that involves the relationship with color. Small yellow and orange groups outline a certain solarity that permeates the mysterious and more faded language of other small groups in the set of works, which do not have a chromatic sequence, but house contrasting colors in which the palette blends into a lively painting that continues to make discursive passages throughout the process. The entire surrounding landscape is transmuted into iconographic elements that are configured as pieces of a game of which we will only know the result at the end: in the act of assembly, a new painting will be outlined.

A kind of irradiation occurs in the whole: gray blocks are quickly flooded with bright colors as if in an epiphanic gesture that simultaneously houses all the stars, the pulse of nature through plants or animals in a new configuration, the incandescence of the sun and the opacity of the night. Each fragment merely alludes to the limit between nature and culture and, in the proposed game, there is construction and also the excavation of the abyss of things. In the grouping of the improbable there are planets, natural curves of the golden ratio, distinct colors and oscillating shapes. There is beauty and wonder. A cosmology of its own is invented in the making and in the perpetual attempt to inscribe the orbit of the planets, the strange organs, the power of images, the folds and refolds of matter under different prisms and angles.

Bianca Coutinho Dias – psychoanalyst and art critic

Produced during 2021 and totaling 180 paintings, the works are a continuation of the "Construction" series, from 2018. The series were conceived with the aim of raising funds for the construction of the Serra Morena studio and artistic residence, located in Serra do Cipó in Minas Gerais.

See the Gallery for available editions.

VALUES

R$ 3,000 - 25 x 25 x 2.5 cm version

R$ 5,000 - 50 x 25 x 2.5 cm version

Works from Gisele Camargo

Biography

Gisele Camargo - Carbono Galeria

Gisele Camargo

b. 1970, Rio de Janeiro (RJ), Brazil | Lives and works in Serra do Cipó (MG), Brazil.

Gisele Camargo has a degree in Visual Arts from the School of Fine Arts at UFRJ, a degree she completed in parallel with her philosophy studies. While living in Rio de Janeiro, her work presented landscapes that referred to the urban universe, with a restricted palette, such as the series “Panavison” 2009, “33 triptychs” 2010 and “Falsa Espera” 2012. The latter was recorded in a book.

In March 2017, the artist moved to Serra do Cipó, a change that was reflected in her work when the rudiments of an organic landscape opened the color palette and added symbolic elements to the paintings. These characteristics can be observed in the development of the series “Brutos” 2016, “Paisagens Gráficas” 2017, “Erosões” 2018, “Construção” 2018, “Tabuleiro” 2020.

Some of the solo exhibitions she has recently held: “Board”, Carbono Gallery (São Paulo, SP, 2021); “Erosions”, Central Gallery (São Paulo, SP, 2019); “Construction”, Carbono Gallery (São Paulo, SP, 2018); “Moons, Brutes and Suns”, Luciana Caravello Contemporary Art (Rio de Janeiro, RJ, 2018); “Moons, Brutes and Suns”,

Periscope Contemporary Art (Belo Horizonte, MG, 2018); “Capsules and Moons”, Paço Imperial (Rio de Janeiro, RJ, 2015) and “American Night or Invisible Moons”, Galeria Luciana Caravello (Rio de Janeiro, RJ, 2014).

Recent group exhibitions include: “Postmodern Brazilianness”, curated by Tereza de Arruda, Banco do Brasil Cultural Center (Brasilia, São Paulo, Belo Horizonte, 2022, Rio de Janeiro 2021); “Biomas”, with Adriana Vignoli, Matias Brotas Gallery, curated by Ananda Carvalho (Vitória, ES, 2022); “Grisaille”, curated by Michael Goodson, Wexner Center of the Arts, (Columbus, USA, 2017); “the light that veils the body is the same that reveals the screen”, Caixa Econômica (Rio de Janeiro, RJ, 2017); “A restlessness”, Estação Gallery (São Paulo, SP, 2016); “The wall: rethinking the course”, Central Galeria (São Paulo, SP, 2016); “Visual Artists in magazines”, (Rio de Janeiro, RJ, 2016); “Crossroads”, Wexner Center for the Arts (Columbus, USA, 2014).

Some awards and scholarships: “Art and Heritage Award” – Honor to merit – National Institute of Historical and Artistic Heritage, (Rio de Janeiro, RJ, 2013); “Support and research scholarship in artistic creation”, Secretariat of Culture of the State of Rio de Janeiro (Rio de Janeiro, RJ, 2012); “IBRAM Award for Contemporary Art”, Brazilian Institute of Museums (Rio de Janeiro, RJ, 2011); “Projectiles Award for Contemporary Art”, National Arts Foundation – FUNARTE (Rio de Janeiro, RJ, 2006); “Projectiles Award for Contemporary Art”, National Arts Foundation – FUNARTE (Rio de Janeiro, RJ, 2003).

Representative galleries

Mitre Gallery , Belo Horizonte