• Antonio Oba, Série: lapidário continental I e II (óbolo e minha boca é um túmulo)
  • Antonio Oba, Série: lapidário continental I e II (óbolo e minha boca é um túmulo)
  • Series: continental lapidary I and II
  • Antonio Oba, Série: lapidário continental I e II (óbolo e minha boca é um túmulo)
  • Antonio Oba, Série: lapidário continental I e II (óbolo e minha boca é um túmulo)

Antonio Oba

“Series: continental lapidary I and II”

Series: continental lapidary I and II

(SKU. 5862)

  • Date

    2016
  • Technique

    fine-art print on Hahnemühle Photo Rag Baryta 315g paper
  • Dimensions

    (H x W x D) 37 x 27 x 4 cm (each)
  • Edition

    10 + 3PA

  • Comes with certificate of authenticity


"Series: Continental Lapidary I and II (Obolus and My Mouth is a Tomb)"

The diptych consists of two images: " Óbolo" refers to African artisanal statuary that often uses cowrie shells to serve as eyes in its human figures. In addition to the decorative character attributed to these shells (as seen in the clothing of the Orishas), they are also divinatory and fortune-telling objects used in the cowrie game.

In " My mouth is a tomb", geophagy is linked to the custom of eating earth in some African tribes. In colonial Brazil, this behavioral trait, which was sometimes interpreted as a symbolic gesture, became a suicidal act of materializing a banzo (a term that defines the mortal nostalgia of enslaved blacks, the longing for their homeland), later "controlled" by the use of hideous anti-earth masks.

Biography

Antonio Obá - Carbono Galeria

Antonio Oba

b. 1983, Ceilândia (DF), Brazil | Lives and works in Taguatinga (DF), Brazil.

In his works, Antonio Obá addresses cultural aspects related to ethnic prejudice, religiosity, eroticism, family memories and how such social factors construct and deconstruct the bodies of individuals. Drawings, paintings, objects, installations, performances, engravings, the artist brings, sometimes figuratively, sometimes sublimated, the evidence of the body: a trace, an artifact, a gesture that insists on the resistance of being, of perceiving a structure demarcated by rituals, stories, prohibitions, traditions.

Graduated in Visual Arts / degree (2010), from FADM - Faculdade de Artes Dulcina de Moraes, he has worked in the area of ​​art education for over 10 years and has worked as a Visual Arts teacher for the Department of Education of the Federal District - Brasília - since 2012, responsible for the Regional Education of the city of Taguatinga (DF).

Visual artist, has participated in group and solo exhibitions since 2001, with works in private collections and exhibited in local and international salons. Member artist of the Centro Cultural Elefante, a center that promotes poetic-artistic experimentation, as well as the promotion of projects related to the practice and reflection of art through residencies, workshops, exhibitions, courses, etc.

Representative galleries

Mendes Wood DM , Sao Paulo