Graduated in Visual Arts from UERJ (2012-2016) and master in Education from UFRJ (2019-2021), Tadáskía is a black and trans artist.
Her work in drawing, photography, installation and textiles mobilizes invented and mystical landscapes. Through her practice, she also seeks to elaborate the imaginative experiences of the black diaspora, around family and foreign encounters.
The artist is featured in the 35th São Paulo Biennial – Choreographies of the Impossible (2023) with a large-scale installation composed of drawings, wall interventions and sculptures. Her solo exhibitions include As Parecidas , Galeria Madragoa, Lisbon, Portugal (2023); rara ocellet , Galeria Joan Prats, Barcelona, Spain (2023) and Noite dia , Sé Galeria, São Paulo, Brazil (2022). She also participated in Direito à forma , Galeria Fonte – Institut Inhotim, Brumadinho, Brazil (2023 ); 37° Panorama of Brazilian Art – Sob as cinzas, brasa , MAM – Museu de Arte Moderna de São Paulo, São Paulo, Brazil (2023); Dos Brasis, SESC Belenzinho, São Paulo, Brazil (2023); The Silence of Tired Tongues , Framer Framed, Amsterdam, Netherlands (2022) and Eros Rising: Visions of the Erotic in Latin American Art , ISLAA – Institute for Studies on Latin American Art, New York, USA (2022).
In addition to having held the duo exhibition with Leonilson at Auroras (São Paulo, 2020) and the open studio in exhibition format Ocellets, during the Homesession residency (Barcelona, 2022).
Tadáskía is in the collection of Inhotim, Museu de Arte do Rio, Institute for Studies on Latin American Art, Instituto Cultural Çarê and in important private collections.