• Alinhavado Rosa - Carbono Galeria
  • Alinhavado Rosa - Carbono Galeria
  • Alinhavado Rosa - Carbono Galeria
  • Alinhavado Rosa - Carbono Galeria
  • Alinhavado Rosa - Carbono Galeria
  • Alinhavado Rosa - Carbono Galeria

Mariana Palma

“Pink Basting”

Pink Basting

(SKU. 10920)

  • Date

    2021
  • Technique

    printing on voile
  • Dimensions

    (H x W) 70 x 70 cm
  • Edition

    5 + 2PA

  • Comes with certificate of authenticity


Regular price R$ 19.000,00
Regular price Sale price R$ 19.000,00
Available for immediate shipping

In the alinhavados, a group of works in which Mariana Palma superimposes layers of photographs printed on voile, sewing them together with wide stitches, the artist creates small-scale compositions that leave the design environment and enter the realm of ideas. The transparency of these fabrics reveals fragments that would otherwise not be seen, due to the juxtaposition of elements, evidencing part of the conception process of her paintings.

Works from Mariana Palma

Biography

Mariana Palma - Carbono Galeria

Mariana Palma

b. 1979, São Paulo (SP), Brazil | Lives and works in São Paulo (SP), Brazil.

Mariana Palma's work is mainly represented by paintings, watercolors and photographs, in which colors and images of nature are explored in different formats and technical solutions. In her paintings, which can reach large dimensions, the entire surface of the canvas is covered with color patterns obtained through the marbling technique, which results in complex chromatic patterns. Compositions are created on these patterns with disparate elements, such as tiles, drains, plants, flowers and fabrics. Combining a precise rhythmic composition with a drama that evokes baroque painting, the images created by Palma sometimes make the creases and veins between petals and planning indistinguishable, and sometimes mix up elementary assumptions of painting, such as figure and background, distinctions between planes and the notions of landscape and portrait. Reflections on temporality and vitality also gain space in the watercolors, photographs and works on fabric, in which the artist exercises the approximation between different organic elements.

He has held several solo exhibitions, such as: "The Vanity of the Caged Bird", Vistamare, Milan, Italy (2024); "Painting as a Verb", Millan, São Paulo, Brazil (2023); "Lago Interior", Teatro Municipal Casa da Ópera, Ouro Preto, Brazil (2022); "Just like the gardens…", Palácio das Artes, Belo Horizonte, Brazil (2021); "Lumina", Instituto Tomie Ohtake, São Paulo, Brazil (2020).

Among his participations in group exhibitions are: "Latinoamerica", La Fundación Canaria para el Desarrollo de la Pintura, Las Palmas de Gran Canaria, Spain (2023); "MON sem paredes" (2023); and "Afinidades II" (2022), Museu Oscar Niemeyer, Curitiba, Brazil; "50 duetos", Espaço Cultural Unifor, Fortaleza, Brazil (2021); "Abstración", Galeria El Museo, Bogotá, Colombia (2017); "The Light that Veils the Body is the Same that Reveals the Screen", Caixa Cultural, Rio de Janeiro, Brazil (2017); "Piece by Piece: Building a Collection", Kemper Museum of Contemporary Art, Kansas, United States (2015); "Trajectories – Brazilian Art in the Edson Queiroz Foundation Collection", Espaço Cultural Unifor, Fortaleza, Brazil (2013); and "This is Brazil! 1990-2012", Palacio de Exposiciones y Congresos, La Coruña, Spain (2012).

His work is in institutional collections such as the Rio Art Museum – MAR, Brazil; Oscar Niemeyer Museum, Brazil; Itaú Cultural Institute, Brazil; Institute of Contemporary Art, United States; Edson Queiroz Foundation, Brazil; Ribeirão Preto Art Museum, Brazil; Campinas Museum of Contemporary Art, Brazil; and Pinacoteca Municipal de Santo André, Brazil.

Representative galleries