“Loose sheet”
Loose sheet
(SKU. 6429)
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Date
2017 -
Technique
gold plated brass -
Dimensions
(H x W) 5 x 2.6 cm (sheet) (H x W) 5 x 0.3 cm (pin) -
Edition
35 + PA -
Comes with certificate of authenticity
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Carbono invited artists who kindly developed exclusive editions and donated them to the Américas Amigas project. We are extremely pleased to contribute to this important initiative. Buy an edition and contribute too. All proceeds will go to the project.
Américas Amigas is a non-governmental organization and human rights organization that fights to reduce breast cancer mortality in Brazil, primarily benefiting the low-income population. The association's actions include: donation of mammogram machines, donation of mammogram exams, training and qualification of professionals in the area of breast cancer, and awareness and information campaigns about the disease. From 2009 to the present, the NGO Américas Amigas has donated 23 mammogram machines, benefiting 13 Brazilian states.
Find out more here .
Laura Vinci has developed a delicate 5 cm leaf cast in brass and plated in gold, accompanied by a mini pin. Like a piece of wall jewelry, it is held in place by the pin that passes through it. It can also be worn as a pendant around the neck or even left on the table.
Biography
Laura Vinci
Beginning her work in the 1980s, Laura Vinci focused her attention on space and its configurations. Despite using different materials throughout her work, these materials end up being related by their characteristics of color, materiality and fluidity, or by being different states of the same material, such as marble, dust and glass, or water, ice and steam.
For the exhibition "Arte/Cidade III", in 1997, Laura transformed a building into a kind of hourglass, by letting the dust from the building's decomposition escape through a hole in its slab, causing it to fall from one floor to another.
"Máquina do mundo" (World Machine), from 2005, occupies a room at Inhotim with extremely fine marble dust and a kind of machine that would generate this system. She also uses marble, apples and glass in Ainda viva; and a piano and steam in Choro. All of these works deal with the silent passage of time, a constant theme in her work that, alongside investigations into the nature and states of matter, solidifies the artist's research.
The artist has participated in important group and solo exhibitions, including the 26th São Paulo Biennial, the 2nd, 5th and 7th editions of the Mercosul Biennial and the 10th Cuenca International Biennial. She has recently had important exhibitions: "The Naked Magician", Bonnierskonsthall, Stockholm, Sweden (2014); "The Naked Magician", National Gallery of Denmark, Copenhagen, Denmark (2015); "H", Prada Foundation (Cisterna), Milan, Italy (2017); "Alfaiataria", Pinacoteca do Estado, São Paulo, Brazil (2018); "I hope this finds you well", Tanya Bonakdar Gallery, New York, USA (2019); "Balé Literal", Galeria A Gentil Carioca, Rio de Janeiro, Brazil (2019). His work is part of the collections of the Pinacoteca do Estado de São Paulo, the Inhotim Institute, the Museum of Contemporary Art of the University of São Paulo, the Museum of Modern Art MAM-SP and the Palazzo delle Papesse, Italy.
According to critic Paulo Sergio Duarte, “in contact with her works, we experience a lost time, not that of Proustian memory, but that which has been kidnapped by contemporary life. As a sculptor, her time adheres to matter, even if it is water vapor.”
Representative galleries
Nara Roesler Gallery , Sao Paulo
Destaques da carreira
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Vistas da instalação "Clara-clara", no centro de São Paulo para o Edital Arte na Cidade em 2012. Esta obra também foi apresentada na em Melbourne, na Austrália e no Rio de Janeiro | Foto: Inês Bonduki.
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A instalação A instalação "Mona Lisa", de 2001, é composta de bacias de vidro, água, tubos de cobre e resistências elétricas. A imagem mostra a obra instalada no Paço das Artes, em São Paulo.
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A instalação "Máquina do mundo", de 2004, remete ao poema de Carlos Drummond de Andrade, que se refere à máquina como uma espécie de essência da sabedoria metafísica do mundo. (Coleção Inhotim)
