• Daniel Senise, Luminária Parque Lage
  • Parque Lage Light Fixture
  • Daniel Senise, Luminária Parque Lage
  • Daniel Senise, Luminária Parque Lage

Daniel Senise

“Parque Lage Light Fixture”

Parque Lage Light Fixture

(SKU. 6085)

  • Date

    2017
  • Technique

    cast bronze
  • Dimensions

    (H x W) 263 x 65 cm
  • Edition

    15 + 3 AP

  • Comes with certificate of authenticity


Regular price R$ 21.000,00
Regular price Sale price R$ 21.000,00
Production deadline: 20 working days

""Luminária Parque Lage" was cast in bronze from a long branch collected in the park to which the title of the work refers. Thus, the organic matter acquires another duration, another weight, another place. In its arms, a lamp is applied in a mobile arrangement, which can be rearranged to greater or lesser heights, more or less stable balances."

Paul Miyada

Works from Daniel Senise

Biography

Daniel Senise - Carbono Galeria

Daniel Senise

b. 1955, Rio de Janeiro (RJ), Brazil | Lives and works in Rio de Janeiro (RJ), Brazil.

Senise's research is mainly based on painting, but the artist also creates photographs, engravings and installations. The artist began his career at the Escola de Artes Visuais do Parque Laje, where he participated in the famous "Como vai você, geração 80?".

His work has been featured in three editions of the São Paulo International Biennial, in 1985, 1989 and 1998; in the Havana Biennial in Cuba; in the Venice Biennial, among others. Other notable exhibitions include the Centre Georges Pompidou, the Ludwig Museum and the Museum of Modern Art (MoMA). His work is also part of important public collections around the world, such as the Brooklyn Museum and the Museum of Latin American Art (MOLAA), both in the USA; the Stedelijk Museum, the Netherlands; and the Museums of Modern Art (MAM) in Rio de Janeiro and São Paulo.

Senise’s work is directly related to the processes of production and their implications. Senise’s research is mainly based on painting, but the artist also creates photographs, prints and installations. His interest in matter and memory is a key element: in one of his best-known series, Senise transfers the image of the studio floor through the residues that print their texture directly onto the surface of the canvas. Wear and tear and marks caused by the passage of time and references to the history of art are also frequent operations – from this vocabulary, new meanings can be attributed to the act of painting or the construction of images.

Agnaldo Farias draws attention to the fact that the artist thinks of his work based on “Images taken from an old and revered canvas, or not, taken from some other place, an ordinary source, the kind that, in principle, we see with indifference. Images with a univocal meaning or that expand in the face of the work of the imagination of the one who contemplates them, as a source of proliferation of meanings.” And he adds that Senise thinks of his work as a source of proliferation of meanings.

Representative galleries

Nara Roesler Gallery , Sao Paulo