“Ladybird”
Ladybird
(SKU. 11888)
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Date
2022 -
Technique
acrylic and varnish over resin -
Dimensions
(H x W x D) 0.87 x 0.62 x 0.42 cm (ladybug) -
Edition
100 + 3PA -
Comes with certificate of authenticity
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"When I moved to my current studio, I had the pleasant surprise of finding ladybugs almost every day. Finding them was like a sign of happiness, as popular belief says. This made me realize that joy and hope were present there, they just needed a closer look. In this work for Carbono, I sculpted the ladybugs and painted each one, to try to bring a little good humor, relief and affection to everyone."
Mauro Piva
Biography
Mauro Piva
Mauro Piva holds a bachelor's degree in Fine Arts from FAAP (SP), and his work ranges from drawing to painting and sculpture. Since the beginning of his career, his practice has been permeated by questions of identity/non-identity, everyday life, existentialism, affection and homage, which have marked his artistic approach. Initially focused on the representation of the human figure, Piva began to incorporate plants and flowers into his work, gradually replacing bodies. Everyday elements, especially those related to the workspace in his studio, also began to be included in his production, creating open visual narratives that invite the viewer to make personal interpretations. Although his meticulous technique may suggest hyper-realism, the artist emphasizes that he does not seek fidelity to reality, but rather plays with stereotypes, representation and recognition, proposing a visual game that makes explicit the pictorial or sculptural nature of his creations.
Since 1999, Mauro Piva has held solo and group exhibitions in Brazil and abroad. In 2024, he presented a solo exhibition at Galeria Verve, in São Paulo, displaying paintings and sculptures accompanied by a critical text by Ana Carolina Ralston. His works have also been exhibited at international fairs, such as ARCO Madrid, represented by Galeria Espacio Mínimo, and Zona Maco, by Galeria Enrique Guerrero, in Mexico City.
His work is included in important collections, such as MAM-SP, MAC-SP, MAM-RJ, MAR-RJ, MAM-BA, Museu da Gravura de Curitiba and Instituto Figueiredo Ferraz, in Brazil, and Art ar Swiss Re (Switzerland), Art C Batter Hugo Voateng (Belgium), Maxine and Stuart Frankel (USA) and JP Morgan (USA). In 2015, a monograph on his work was published by Editora Cobogó, with text by Marcos Moraes.
Destaques da carreira
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2016 | Galeria Leme | São Paulo, Brasil
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2016 | Galeria Leme | São Paulo, Brasil
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2018 | Galeria Leme | São Paulo, Brasil
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2018 | Galeria Leme | São Paulo, Brasil
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2018 | Galeria Leme | São Paulo, Brasil
